The Kingdom of Speech

The Kingdom of Speech

eBook - 2016
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"Taking readers on a rollicking ride through history, a master storyteller and reporter, whose legend began in journalism, presents a paradigm-shifting argument that speech, not evolution, is responsible for humanity's complex societies and achievements,"--NoveList.
Publisher: New York : Little, Brown and Company, 2016
Edition: First edition
ISBN: 9780316404648
0316404640
9780316269315
031626931X
9780316269964
0316404624
9780316404624
Characteristics: 1 online resource (185 pages)

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f
fledge
Oct 06, 2016

Skewering both Darwin and Chomsky, both of whom deserve it, Wolfe applies his acerbic and funny wit to their self-vaunted theories. Recommended.

d
danbaur
Oct 05, 2016

A brief book that is not so much about Speech as it is about toppling false prophets. We learn a great deal about the intrigue that made Darwin the historic personality he is while keeping the lowly “fly catcher” Wallace in semi-obscurity. One hundred fifty years later, a somewhat parallel story develops between Noam Chomsky, the false prophet of speech evolution and Daniel Everett, the new “fly catcher” that (unlike Wallace) opposes the false prophet and begins the process of toppling him. Chomsky’s dogma captured on tens of thousands of pages or more and his cultural clout still holds as of today due to an army of followers built over decades and dependent on this dogma. But the damage has been done: Everett with one single study on the Piraha people has invalidated Chomsky’s conclusions.

Tom Wolfe’s irony cuts merciless into the dearest beliefs of the Evolutionary myth:

We learn about the parallels between the evolution myth and Native American Creation myths. Yes, Evolution is nothing more than a Creation myth.
“…the littlest creature (or “four or five” of them)…” points out the absurdity of this claim. Why one? Why four or five? Why make this utterly unsupported claim?
Evolution is Cosmogony myth and not Science as the theory fails all five tests for scientific hypothesis: Observed? Replicated? Falsifiable? Predictive power? Illuminates other areas of science? “In the case of Evolution…well…no…no…no…no…and no”.
Darwin’s “Just So Stories”, and “my dog” argument, especially in “The Descent of Man”.
Dobzhansky’s synthesis of moribund Evolution theory with Genetics to revive the former, and his too categorical claim that “Nothing in Biology Makes Sense Except in the Light of Evolution”.
Chomsky’s 2014 statement that “The evolution of the faculty of language largely remains an enigma” after decades of “knowing” language down to the math.
Language is important of course, and perhaps even “the most powerful tool invented by people, not innate and not biologically evolved” as the author concludes, but more important Take-Aways are the doubts cast on the very sacred and very inflexible, and ultimately very unscientific beliefs of the Evolution supporters. Furthermore, the amount of supporting literature and time passage have built an imposing structure around the concept of Evolution, but this structure rests on a very flimsy base at best and will likely come crumbling down sooner or later – the higher the structure, the more spectacular its demise.

l
lukasevansherman
Sep 16, 2016

The aging, yet still dapper Duke of New Journalism has apparently lost his in mind in this new non-fiction book. I have no idea what prompted Tom Wolfe, the celebrated, if divisive, author of "The Right Stuff" and "The Bonfire of the Vanities," to write this tirade against Charles Darwin and Noam Chomsky. Who thinks, hey, that Darwin needs to be taken down a peg? Chomsky, maybe, but I think his linguistic theories, which Wolfe assaults, are hardly known out of a small coterie. He's better known for his politics, but, again, he's not a household name. Language is the common theme and Wolfe gleefully lambastes evolutionists and linguistics failure to offer up a cohesive theory. What could be considered wide-ranging to me seems like rambling and a complete lack of focus. Again, I haven't a clue what possessed him to take up his literary cudgel, but it makes him seem shrill, irrelevant, and dangerously out of touch. Whom does he imagine his audience is? I've liked some of Wolfe's work in the past, but this is a disaster.

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