Strippers, Showgirls, and Sharks

Strippers, Showgirls, and Sharks

A Very Opinionated History of the Broadway Musicals That Did Not Win the Tony Award

Book - 2013
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"Wait.. Gypsy didn't win the Tony for Best Musical?"

That's a question that gets asked over and over again, every time a new Rose takes to the runway in the Broadway classic "Gypsy". In "Strippers, Showgirls and Sharks", the popular syndicated theatre critic Peter Filichia chronicles the history of the American musical by looking at those shows that did not win the Tony Award for Best Musical. It happens every spring: The American Theatre Wing bestows its annual awards. Only those shows that have reached Broadway are nominated and while all Tony Awards are created equal in height, width and depth, the universally acknowledged biggest prize is the Best Musical Tony. The envelope is opened. The winner is announced and, then, the screeching begins. " Oh no! They gave it to that? " Did the best musical always win the Best Musical prize? Were there other factors that kept a more deserving show from copping the prize? Peter Filichia answers all these questions and more in "Strippers, Showgirls and Sharks" as he looks at many of the 153 previous Best Musical Nominees that didn't win the big prize. What were the biggest omissions? "Gypsy" had the distinct displeasure of not being either the first or second choice of the committee. In 1959 when Ethel Merman and a variety of strippers took the stage, the Tony for Best Musical was a tie between "The Sound of Music" and "Fiorello". In 1971, Stephen Sondheim's "Follies" and its ghostly showgirls lost to a "groovy" re-tuning of "Two Gentlemen of Verona" that hasn't passed the test of time. And, in 1957, "West Side Story", its Jets and Sharks, were bested by the fine people of River City Iowa singing their Americana hearts out in "The Music Man". If you love Broadway, scratch your head on Tony Award night and still can't figure out how a show you loathed won the Tony for Best Musical, you will love riding through the years with Peter Filichia, one of America's most respected and popular theatre critics.

Publisher: New York : St. Martin's Press, 2013
Edition: First edition
ISBN: 9781250018434
1250018439
Characteristics: ix, 288 pages, 8 pages of unnumbered plates : illustrations ; 24 cm

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Squirt_tastic
Jan 07, 2014

It was alright. I was able to learn a bit about some shows before I became interested in Broadway, but it's highly opinionated without explaining those opinions, and I would have like much more information.

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patrickjohnmack
Aug 25, 2013

This author spends an inordinate amount of time giving lengthy plot descriptions of nearly every show mentioned which become tedious after the first 20 pages. More information on backstories and things we don't already know would have been a lot more fun and educational. This book is a flop.

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